Book Two - 
HOW TO MANAGE AND OPERATE

FILM & VIDEO FESTIVALS
by Lauri R. Tanner

HOW TO START FILM FESTIVALS
The Primer

NOW AVAILABLE!


Project managed by Big Horse Inc., creators of FilmProfit 

Table of Contents

Chapters

  1. General Arts Non-Profit Organizational + Festivals Administration ; Fiscal Management - Governance, Accounting, Budgets, Funding Cycles; Earned/ Contributed Income Strategies;  General Festival Timelines, Follow-ups, Reporting, Evaluations

  2. Sponsors, Fundraising and All Types of Support -  Membership Programs, Educating Funders and Donors; Media, Airlines, Hotel Sponsorship, etc. - In-kind/Monetary

  3. Responsibilities and Duties for Staffing, Volunteers, Boards, Interns - Personal/ Organizational Issues in regard to Cyclical format, 'Burn out', Hierarchies, etc. -  Festival Personnel Policies and Job Descriptions

  4. Programming, Curating and Scheduling; Retrospectives; Question & Answer Sessions; Foreign Language Film Issues

  5. Film Shipping and Print Traffic

  6. Print Sources, Distribution and Video; Buyers and Distributors

  7. Venues and the Exhibition Business; Theaters (including Signage); Archives and Media Centers; Mobile Stages

  8. Technical & Projection Issues and Logistics; Formats for Screens and Video; Electronic/ Digital/ New Technologies; Non-Theater Viewing Equipment

  9. Advertising, Publicity, Public Relations, Marketing, Promotion, and Merchandising; Public Service Announcements, Interviews with Filmmakers

  10. Press Releases, Press Screenings, Press Relations

  11. Publications - Program Guides, Catalogues, Organizational Newsletters, Mailing Lists and Mailings, Calls for Entries/Entry Forms (Competitive and non-competitive)

  12. Audiences - Development, Community Outreach, Demographic Info; Surveys

  13. Guest/Filmmaker Relations -  Outreach, Hospitality, Maker Reasons for Entry; Maker self-promotion at fests

  14. Special Events, Promos, Opening Night, Premieres as Events (getting celebs.); Raffles

  15. Ticketing and Registration; Ticket Companies (plus online ticketing)

  16. Legal Issues -  Contracts, Insurance for Fests, Employees, copyright issues, etc.

  17. Educational Programs and Issues -  Schools at the Fest Model; Seminars, Workshops, and Panels;  Media Literacy and Audience Education;  Speakers

  18. Touring Festivals and Packages -  Distribution Programs related to Festivals

  19. Competitions, Awards Programs (Audience Awards/Ballots, Non-Juried Awards/Artist Recognition/Tributes-Lifetime Achievement); Juries and Jury Selection; Judging Strategies

  20. Special Problems - Translators-Subtitling, Access, etc.; Policies and Politics - Controversial Issues + Troubleshooting/ Contingencies; Censorship

  21. Event/Festival Management Models from other Fields; Markets; Television; Domestic and International Festival & Events Associations; Arts Administration & Advocacy Organizations and issues; Related film and videomaker production and self-distribution issues; Film commissions; Related municipal and federal organizations (including tourism promotion, economic development, etc.)

  22. New Technologies and Telecommunications Issues-  Multimedia and Interactive Exhibition models within the festival format;  Festivals Online - Web sites, E-mail, film access on Internet.

How to Manage and Operate Film & Video Festivals is Based on Interviews with the Film Festival Directors, Staff and Other Experts Listed Below:



All material contained herein is
copyright © 1993-2003 Lauri Rose Tanner, all rights reserved.
portions copyright © big horse incorporated, all rights reserved
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